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Frequently Asked Questions

General Audio

How do I choose the right amplifier power for my speaker system?

  • Ideally you should pick an amplifier that can deliver power equal to twice the speaker's continuous IEC power rating. This means that a speaker with a "nominal impedance" of 8 ohms and a continuous IEC power rating of 350 watts will require an amplifier that can produce 700 watts into an 8 ohm load. For a stereo pair of speakers, the amplifier should be rated at 700 watts per channel into 8 ohms.
  • A quality professional loudspeaker can handle transient peaks in excess of its rated power if the amplifier can deliver those peaks without distortion. Using an amp with some extra "headroom" will help assure that only clean, undistorted power gets to your speakers. Some professional amplifiers are designed so they have additional headroom. These amps can cleanly reproduce transient peaks that exceed the amplifier's rated power. In this case select a model with an output power rating equal to the continuous IEC power rating of the speaker. Consult the amplifier manufacturer or owner's manual to learn more.
  • In some applications, such as critical listening in a studio environment, it is important to maintain peak transient capability. For these applications, use an amplifier that can deliver 6db (or four times as much) more power than the continuous IEC power rating.
  • If budget restraints or legacy equipment force you to use an amplifier with less power, extreme care should be taken to see that the amplifier is not driven into clipping. It may surprise you to learn that low power can result in damage to your speaker or system.  Download our Danger Low Power (Adobe Acrobat, 204kB) tech note for more information.

How does JBL establish power handling specifications? At JBL Pro, we subject our designs to the most rigorous and demanding testing in the industry. As a result, the power rating specification of a JBL Professional product may be lower than that of a competitive speaker which actually has less power handling capability.

  • JBL tests speaker systems as systems. Some competitive speaker systems are rated based on the power rating of the individual transducers. Actually, the power handling of each individual component doesn't tell the entire story. When a transducer is installed in an enclosure, it may not be able to dissipate heat as well as it did outside of a box. Or the cross-over network might fail long before the transducers. When you select a JBL speaker system, you know that the design has been tested as a complete system.
  • JBL tests speaker designs with long term testing at high power. A speaker system typically doesn't reach its maximum operating temperature for at least 2 or more hours. Yet some manufacturers make power handling claims based on mere minutes of testing. At JBL, our power tests subject each speaker design to the kind of stress and strain it will get in years of actual use.
  • JBL uses the IEC spectrum for testing speakers. The IEC (International Electrotechnical Commission) has established a standard for a loudspeaker test signal. This method uses shaped noise in a specified frequency range (50 Hz - 5 kHz), a specified high and low-pass filter slope, and a specified "crest factor" (the ratio between the average and peak signal level). IEC shaped noise places greater demands on a speaker than real music.

What makes speakers fail? Transducers can fail due to excessive mechanical stress or excessive thermal stress.

  • One form of mechanical stress would be a mic stand through the speaker cone. JBL has overcome this failure mode by using heavy gauge steel grills on all live sound models. But there are more subtle ways in which a transducer can fail mechanically. The mechanical design of JBL Professional transducers has benefited from decades of experience and the best engineers in the industry. As a result, mechanical failure of a contemporary JBL speaker is a rare event.
  • The speaker surround and spider, known collectively as the "suspension", must be flexible in order to accommodate the excursion of the cone or diaphragm. At the same time, they have to keep the cone or diaphragm from tipping or becoming "de-centered". Suspensions can fail due to environmental factors such as exposure to heat, UV rays, or humidity. It is also possible for the adhesives that attach the suspension to the cone and the speaker basket to fail or to be improperly applied at the time of manufacture.
  • The separation of tinsel leads is also a common failure. Conducting the electrical signal from the speaker terminals to the voice coil is the job of the tinsel leads. The leads must be light, flexible, and immune from breakage due to fatigue. At the same time, the leads need to be able to carry the full rated current load of the speaker.

What is "Signal Burn"? Signal burn is a failure mode where the voice coil is burnt across its entire width, indicating uniform voice coil travel with respect to the stationary magnet structure. Such a burn pattern is not indicative of amplifier malfunction but instead is due to excessive signal or program level. The cause is simply trying to get more from the speaker than it is capable of delivering.

What is "DC Burn"? DC (direct-current) burn is a  failure mode where the voice coil is burnt only at one end. This is an indication that it has been traveling in one direction more than the other. Since the transfer of heat is from the voice coil to the adjacent magnet and metal parts, the voice coil will be burnt on the end that stays the farthest away from the top plate.

  • Woofers: When a DC burn pattern appears on the voice coil of a woofer, the problem will be due to a fault in the associated electronic equipment. Most likely, the power amplifier has leaky or shorted transistors that are allowing its internal power supply voltages to be applied directly to the loudspeaker or loudspeaker system.
  • Midrange and Tweeter: When a DC burn pattern is observed on the voice coil of such devices, it DOES NOT always mean that the amplifier is faulty. In systems with passive crossovers, mid and high frequency drivers are protected from DC by the cross-over. The most likely cause of DC-like burns is an overdriven amplifier.
  • When an amplifier receives an input signal capable of driving it beyond its power rating, the result is clipping. This means that the negative and positive peaks of the amplifier's output signal are "clipped" off. The amplifier may also clip in an asymmetrical fashion, meaning that the positive side of the signal is clipped more than the negative (or vice versa). When subjected to an asymmetrical clipped waveform, one end of the loudspeaker's voice coil is "on average" spending more time outside of the gap (corresponding to the direction that is clipped) than the other. The end of the coil that is spending more time outside of the gap has poor heat transfer to the magnet structure. As a result, it overheats and burns.

Should I fuse my speakers? JBL does not recommend fusing loudspeakers. A fuse may blow with a signal that would not damage the speaker, but it can also pass a signal that can damage the speaker. To protect your system, JBL advises using adequate, clean amplifier power and watch for amplifier clipping. Add a limiter to your system to electronically limit any potentially damaging transients. Some JBL Professional speaker systems include SonicGuard™, a system that actively protects drivers from excess power.

What is "power compression"? Speaker voice coils are made of copper or aluminum. As these voice coils increase in temperature during normal operation, the DC resistance of the voice coil increases. Greater voice coil resistance means less power transfer from the amplifier. As a result, the speaker will not play as loud when it's "warmed up" as it did when it was "cold". Some speakers may exhibit 3 to 6 dB of power compression. This means that power compression can have the same effect as taking away half of your PA!

JBL has gone to great lengths to reduce the effects of power compression. Our VGC™ (Vented Gap Cooling) and TTM™ (Total Thermal Management) technologies effectively dissipate heat for reduced power compression and increased reliability. In addition, some models use liquid-cooled (ferrofluid-cooled) voice coils.

How do I select the correct wire gauge for my speakers? Selection of the appropriate wire gauge is important to system operation. A cable that's too "light" will result in amplifier power being wasted due to the series resistance of the cable. It will also result in the loss of low-frequency performance due to a degraded damping factor. On the other hand, a cable that is too "heavy" is unnecessarily awkward and costly.

If in doubt, use the chart below as a guide. For a given length of run and speaker load, use the chart to determine the minimum wire size needed to keep your line losses ("insertion" losses) below 0.5dB.

How does SonicGuard work?

Refer to the JRX115 Technical Manual for the schematic.

A pair of High Positive Current Coeffiecient Resistors (HPCCR) (LP1 and LP2) is connected in series with the high-frequency sections of the crossover network. These HPCCR (a specialized type of light-bulb) are wired in parallel with resistor R1 to form an attenuator. This attenuator matches the higher sensitivity of the high-frequency driver to the lower sensitivity of the low-frequency driver, thus balancing the high-frequency and the low -frequency output of the speaker system. As the input signal rises, more currect passes through LP1 and LP2. This causes the elements in these devices to increase in temperature. As their temperature rises, their resistance increases resulting in a reduction of the signal going into the high-frequency section of the network. When the overpowered condition creases, the elements will cool and normal system operation is restored.

The SonicGuard systems works very well but it can be overwhelmed. A very high-level transient signal could be through LP1 and LP2 before their temperature increases sufficiently to cause an increase in their resistance. In addition, extended and extreme overpowering can still get through the system. Even if LP1 and LP2 were to go open, it is possible that R1 will pass enough signal to damage the high-frequency driver if the system is grossly over-driven.

As previously mentioned, SonicGuard will do an excellent job of protecting drivers from inadvertent overpowering. The system can,
however, be overwhelmed by extreme conditions so good system operation practices must be observed.

  • The most important of these practices is to operate the system to minimize amplifier clipping. The system operator should listen for distortion, monitor the indicators on the amplifiers and immediately reduce the performance volume when clipping is detected.
  • Limiters with Peak Stop circuitry are especially effective in protecting speaker systems.
  • Users are cautioned to be especially careful when using "bargain" amps as they will generally clip more easily and create more destructive distortion product than higher-grade amps.
  • Turn-on / turn-off spikes can be especially destructive. Amplifiers should be "Last On, First Off" - meaning no other elements of the systems should be switched on or off while the amplifiers are on.
Output faders on the mixer should be turned down while the system is being switched on. Gradually bring them up after the systems is turned on to prevent unpleasant surprises.

Can I suspend JBL portable speaker enclosures (TR, MR, MRX, PRX, SR, SRX, MPro, SoundFactor, JRX, EON)?

Only those speakers that are specifically designed and designated for use in suspended (or flying) applications should be suspended. Suspension of a speaker not designed for suspension represents a safety hazard and could result in death, serious injury, property damage and liability for the installer and system owner. If you have any doubts as to which models are flyable, please contact your local sales representative or JBL Professional Technical Support.

  • JBL models that have no provision for suspension include JRX*, SoundFactor*, TR, EON1500, MR, MPro, SR, SR4700X*, SRX700*.
  • JBL portable models designed for suspension include JRX i, SoundFactor i, SRX4700X/F, SRX700/F, SRX712M (with accessory yoke bracket), VRX.
  • All EON models (except EON1500) may be suspended with available ESK10 or ESK15 suspension kits.
  • JBL Installed & Tour Sound models including AE, PD, Marquis and VerTec series models are designed for suspended (or flying) applications.

* “I” (install) or “F” (flying) versions of some models are available.


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